Drawings 2017, All Charcoal on Paper, Dimensions given in cm, (height first).

Balcony Figures, 50 x 70 cm

Laptop Woman, 50 x 70 cm

Cell Phone Woman, 50 x 70 cm

Corridor Figures, 50 x 70 cm

Staircase Man, 70 x 50 cm

Buffalo, 46 x 58 cm

Cloud Hands, 48 x 56 cm

Hamid 56 x 48 cm

Avenue of Trees, 70 x 100 cm

Clive, 100 x 70 cm

Fluchtelinge, 50 x 70 cm

Romeo Milwali Njoh, 100 x 70 cm

Railway Bridge, 70 x 100 cm

Walter, 35 x 25 cm

Man in a Raincoat (Walter), 70 x 50 cm

Homeless, 70 x 100cm

Lauretta Gladys Ngobo, Honorary Doctorate, 70 x 50 cm

View from Entabeni Hospital, 35 x 100 cm

Comments

Harbouring Aliens

Artist Statement John Roome, 2010. Harbouring Aliens, digital print on archival paper, A3 (297 x 420 mm). Just as the Soccer World Cup was coming to an end there were reports that xenophobia was about to rear its ugly head again. Threats were made to non South Africans that, come the end of the Soccer World Cup, their houses and shops would be burnt down and their lives would be in danger. Thousands lined the roads waiting to catch buses to get away. (Fortunately the violence was not on the same scale as previously and seemed to have been brought under control). At this time I was photographically recording the changing moods of Cape Town harbour. In one, taken at dawn, the cranes appeared as menacing, robot-like, alien beings. Harbours are universally associated with immigration. These threatening, alien-like machines appeared to me as metaphors for our deep- seated, irrational fear of the “other “. In my drawing I tried to express a sense of the abject, of fear, and i...

I was asked by the curator Derek Zietsman, to participate in this show. He chose four of my recent woodcut prints Brief artist’s statement on the works: All four prints speak directly to the theme of kakotopia and reflect a sense of unease, foreboding, and discomfort in a world where things seem to be falling apart. 1. Dark Street reflects my engagement with an area adjacent to my studio. My aim was to echo its sense of unease, foreboding and discomfort. 2. Waiting is based on things I see and people I come into contact with whilst walking through the town’s hustle and bustle (to my studio). I am interested in the gritty underbelly of my city rather than the “surf-city –holiday destination” image commonly associated with Durban. 3. Limping Buffalo is a metaphor for the state and a social comment on events associated with the #Feesmustfall student unrest in 2016. 4. There is a Buffalo on the Roof comments on our so...

Lung Sprout

These are the two drawings juxtaposed. I am still not sure if they work together. I will keep trying other combinations.

John Roome

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